The girls are neighbors, also twins, a year younger than the boys. We lived in an apartment at the time and the girls lived next door. For five years the four of them were constantly together, in one apartment or another, or running around outside. (I think that's Courtney with the red fairy wings, and Brittany as the wizard, but I'm not sure. )
I thought the boys and the girls would always be friends, but that didn't turn out to be so. We moved away when the boys were ten, and though we tried to stay in touch with the girls, it just didn't work out. They grew up and grew apart, the way people tend to do. But I'm sure they have fond memories of their childhood days together.
The only complaint I have about Woody Allen's newest movie is that it's just a tad too long. Otherwise I completely enjoyed it. The writing is great, the acting's superb, it's extremely well directed, and I was amused.
Staring Naomi Watts, Josh Brolin, Anthony Hopkins and Antonio Banderas, it's set in London (as all of Woody's recent films have been,) and it's all about an unhappy couple and her unhappy parents. They've all made mistakes and they're all a little desperate, which makes for the kind of characters I tend to find interesting - and is maybe why I've always enjoyed Woody's movies so much.
In the end it turns out that the most deluded people in this movie are the most happy - which I found pretty funny. But it only got a 48% on Rotten Tomato's Tomatometer. Such a shame. I mean, it's not one of Woody Allen's best, but it's better than most of the crap at the multiplex.
A few of the reviews I read complained that he leaves some of the story threads up in the air at the end. Well, jeesh! That's one of the fun things about this film. I enjoyed being able to wonder what would happen next.
This photo was taken in the fall of 1999. This was the door to the garage of the house I grew up in. I took a lot of photos - with my film camera - of the house that fall. It was just before the city bought it and tore it down.
"Yes." I replied. But as she switched lanes I realized I was wrong; I hadn't consulted my wrist.
I have a scar on the inside of my right wrist that tells me which is my right hand, and therefore which way is right. I apologized to my DIL and explained what was going on. "You don't know your right from your left?" she asked (sounding just a tad judgemental.) And I had to say yes, it's true, much to my shame and dismay.
Just as some people make a writing motion to remember which is their right hand, I depend on my scar.
I got the scar when I was seven and accidentally put my hand through a pane of glass. And because of my early dependence upon it, I never learned right from left. If someone asks me which way to go I just reflexively flip my wrist and look at the scar.
I related this quirk to a friend a while back and she said, "But don't you have a sense of the right side of your body, and the left side of your body?"
I'd never thought of it like that.
I'd always thought of right and left as being something "out there." Not as something that was a part of me.
So, in order to be better at telling left from right I've been looking down at myself lately and consciously thinking "here is my right" and "here is my left." I've been trying to get this idea ingrained in my sense of what's what. And it has been helping; I'm much better at telling right from left than I used to be, except when the pressure is on.
It's just like math anxiety - which makes me unable to add 2 plus 2 if I'm under pressure to do so, or if someone is looking at me expectantly. My brain just refuses to concentrate in a situation like that. It's too busy thinking "Math - accckkkkkk!" to actually do any math.
Same goes for right and left. If I'm nervous or on the spot I'll get flummoxed. There have been times when I've consulted my wrist and still couldn't tell right from left because I was too distracted with embarassment to remember which hand the scar was on!
I spent a lot of time in community theater and always had a hard time knowing stage right from stage left. When I directed I had to keep a chart in front of me - a fact I kept hidden. My shameful little secret.
How do you tell right from left? Is it something you just never have to think about, or do you have some little reminder? How did you learn it as a kid? This must have been something I missed out on.
Told entirely by the recollections of those who knew her, Edie - American Girl, published in 1982, is a fascinating, though sad, portrait of the "swinging" 60s.
Aristrocratic and vivacious, Edie was the "it girl" of the 60s, photographed for Vogue and Life. She became Andy Warhol's companion and star of his underground movies.
She was also the subject of some of Bob Dylan's songs. "People'd call, say, 'beware doll, you're bound to fall.' You thought they were all kiddin' you"
It's sad to read about Edie's drug abuse and emotional instability. What a shame and what a waste.
She was ruined by wealth and drugs and 15 minutes of fame. And when her 15 minutes were over there was no one to help her, or care for her - not her family, not a doctor, not a lover or a friend, and not even Warhol, who later claimed he hardly knew her.
She died of an overdose at the age of 28. Her story is tragic, but it's a mesmerizing account of an extraordinary time.
Mad Men proves how good television can be. Not only are the vintage sets, costumes, and props a treat, but the characters are compelling and the writing is top-notch. There were two episodes this season that just awed me with their brilliance - the one all about Peggy and Don, and the one all about the women.
Watching the show you just know that some of the character's lives can't possibly turn out well, but you root for them anyway. You hope for them. And it's fun to know what's just around the corner for all of them, perched as they are in the middle of the 1960s. It might be called Mad Men, but the show has a lot to say about the lives of women in that time period, too.
Here's a cool little music video I found. It's a mash up of the Mad Men theme and "Nature Boy" (a song made famous by Nat King Cole.)
I'd heard of Alice Munro, but hadn't read her stories until I got this book and now I'm a huge fan. I'm a little sorry it took so long for me to discover her, but better late than never I guess. Alice Munro has been described as one of the best fiction writers of our age, and I'd certaily have to agree with that. She's now my all time favorite writer.
She's been writing since her twenties, publishing fourteen books of beautifully constructed stories, and is now 79 years old.
"Memory is the way we keep telling ourselves our stories - and telling other people a somewhat different version of our stories." Alice Munro
After the movie we went to National Coney Island - which I thought was looking pretty photogenic, too.
This year there were 192 venues, 1713 artists, and 42,496 registered voters! The top prize of $250,000 is the biggest art prize in the world. It's an event that's had a tremendous impact on Grand Rapids. The place was thronged with people when we were there. Here's just a little bit of what we saw.
This is "Vision" by David Spriggs of Montreal. It's one of the "Top Ten" of the competition. Made from sheets of Plexiglas that have been marked somehow to make this effect, it's different from every side and angle. I thought it was amazing.
This is a detail of "Dream Collection" by Heather Holloman. The Mason Jars hold objects pertinent to the dreams described on the tags. It was fascinating and I wished I would have spent more time looking at it and reading the tags, but it was crowded, my feet were hurting, and I just wanted to get somewhere to sit down for a few minutes. Darn.
Detail of Svelata:
This is "Salt & Earth: garden for Patricia" by Young Kim of Winston-Salem, North Carolina. This image is created with salt and red clay. It was on the floor in a dark room, so hard to photograph, but amazing to see. This is also one of the Top Ten.
You'll find the Art Prize site at http://www.artprize.org/